ILMEFX3 in by Sony Canada in Pakenham, ON - FX3 Full-frame Cinema Line camera

Image sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High-performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface and other camera operations.

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops , without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time) . The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.

Acclaimed cinematic colour with S-Cinetone™

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post-production grading. [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported . XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes .

S-Log2 and S-Log3 with 10-bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops . For camera matching with other S-Log3-capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3 and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post-production.

Proxy recording for more efficient editing workflow

Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, colour depth, brightness, contrast and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's colour, patterns and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.

Fast, easy touch focus control

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy and intuitive to perform rack focusing through touch operation-ensuring that you have full creative control of the FX3's powerful AF technology.

In-body optical image stabilization for handheld shooting

Relying on a new high-precision stabilization unit, gyro sensors and optimized image-stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording , even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active

XLR adaptor and digital input for quality audio

The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.

Uninterrupted 4K 60p recording

For uninterrupted 4K 60p recording, the FX3 features an innovative heat-dissipation structure, including a unique Sony (sigma)-shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Customizable buttons for professional movie creators

The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.

Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Flexible camera positioning with vari-angle monitor

The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 1.44-million-dot large touch-panel LCD has high visibility and clarity.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Reliable, durable and lightweight construction

For high durability and mobility, the main camera chassis, top, front and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.

Reliable durability and weather-resistance in tough situations

In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Power for professional length

For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type-C® power supply or portable powerbank battery .

Data communications to support on-site workflow

Wireless 5 GHz /2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote-shooting capabilities support professional workflows during shoots.

Metadata to facilitate editing with Catalyst

Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilization and camera rotation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare desktop applications .

Image sensor with blazingly fast readout speed The back-illuminated full-frame Exmor R CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High-performance image-processing engine The BIONZ XR image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface and other camera operations.

High sensitivity, wide dynamic range The full-frame sensor enables high sensitivity with low noise throughout the camera s range by optimizing the sensor s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera s high sensitivity and wide dynamic range expand your flexibility in post-production.

4K High Frame Rate 120fps recording You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.

Acclaimed cinematic colour with S-Cinetone The inclusion of Sony s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post-production grading. [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

All-Intra internal recording In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

HEVC codec with high compression efficiency XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

16-bit RAW data output Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).

S-Log2 and S-Log3 with 10-bit 4:2:2 support S-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3-capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3 and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post-production.

Proxy recording for more efficient editing workflow Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

Expand your vision with Creative Look Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, colour depth, brightness, contrast and sharpness. Fine adjustment of preset looks can be made according to the user s preference, and you can also register your favourite settings as a custom look.

10-bit HLG picture profile An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)

Flexible exposure mode Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.

Fast Hybrid AF for dependable focus during movie shooting Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy and reliable Real-time Tracking and Eye AF Focus control is fast and intuitive, to ensure you have full creative control of the FX3 s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject s colour, patterns and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.

Fast, easy touch focus control Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It s fast, easy and intuitive to perform rack focusing through touch operation ensuring that you have full creative control of the FX3 s powerful AF technology.

In-body optical image stabilization for handheld shooting Relying on a new high-precision stabilization unit, gyro sensors and optimized image-stabilization algorithms, the camera s Optical SteadyShot Active Mode provides precise optical image compensation, for outstanding results for 4K video recording , even while walking. With this unprecedented level of stabilization it s possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active

XLR adaptor and digital input for quality audio The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.

HDMI Type-A output and monitoring options With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera s LCD monitor, an HDMI-connected external recording or monitoring device.

Uninterrupted 4K 60p recording For uninterrupted 4K 60p recording, the FX3 features an innovative heat-dissipation structure, including a unique Sony (sigma)-shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

REC lamps and highlighting during video recording There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Customizable buttons for professional movie creators The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.

Various zoom operations tailor your expression The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.

Cage-free accessory mounting Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.

Touch-driven menu with workflow-based navigation Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Flexible camera positioning with vari-angle monitor The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 1.44-million-dot large touch-panel LCD has high visibility and clarity.

Two CFexpress Type A-compatible media slots The camera s two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Reliable, durable and lightweight construction For high durability and mobility, the main camera chassis, top, front and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.

Reliable durability and weather-resistance in tough situations In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Power for professional length For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type-C power supply or portable powerbank battery.

Data communications to support on-site workflow Wireless 5 GHz/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera s USB Type C terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony s Imaging Edge Desktop application, or from a mobile device with Imaging Edge Mobile . Wired and wireless FTP transfer for data files as well as remote-shooting capabilities support professional workflows during shoots.

Metadata to facilitate editing with Catalyst Sony s Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilization and camera rotation. These can be useful when previewing and preparing to edit in Sony s free Catalyst Browse or cost-effective Catalyst Prepare desktop applications.

Features

Full-frame performance with high sensitivity and wide dynamic range
High-performance BIONZ XR image-processing engine
4K (QFHD) high-frame-rate 120fps recording
Cinematic colour science with S-Cinetone™
Enhanced mobility for solo operation
Image sensor with blazingly fast readout speed
High-performance image-processing engine
High sensitivity, wide dynamic range
4K High Frame Rate 120fps recording
Acclaimed cinematic colour with S-Cinetone™
All-Intra internal recording
HEVC codec with high compression efficiency
16-bit RAW data output
S-Log2 and S-Log3 with 10-bit 4:2:2 support
Proxy recording for more efficient editing workflow
Expand your vision with Creative Look
10-bit HLG picture profile
Flexible exposure mode
Fast Hybrid AF for dependable focus during movie shooting
Fast, easy and reliable Real-time Tracking and Eye AF
Fast, easy touch focus control
In-body optical image stabilization for handheld shooting
XLR adaptor and digital input for quality audio
HDMI Type-A output and monitoring options
Uninterrupted 4K 60p recording
REC lamps and highlighting during video recording
Customizable buttons for professional movie creators

General
CAMERA TYPE	Interchangeable lens digital camera
LENS MOUNT	E-mount
Size and Weight
WEIGHT (MAIN UNIT ONLY) (approx.)	1 lb 9.3 oz (715 g) (with battery and memory card included), 1 lb 6.6 oz (640 g) (body only)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)	2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)
DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (approx.)	2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)	5.11 x 3.06 x 3.33 inches (129.7 mm x 77.8 mm x 84.5 mm) (body without protrusions)
Power
POWER CONSUMPTION	[Movie] Approx. 7.3 W (with FE 28-70 mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28-70 mm F3.5-5.6 OSS lens attached)
BATTERY OPERATING TIME	Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)
Operation
OPERATING TEMPERATURE	0 °C to 40 °C (32 °F to 104 °F)
STORAGE TEMPERATURE	-4 °F to +131 °F (-20 °C to +55 °C)
Recording Format (Video)
XAVC HS	[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S	[XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
XAVC S-I	[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
Recording Format (Audio)
RECORDING FORMAT (AUDIO)	LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
Recording Frame Rate
XAVC HS	[XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p
XAVC S	[XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I	[XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p,
Recording/ Playback Time
XAVC HS	[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80 GB) Approx. 160 minutes
XAVC S	[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 390 minutes
XAVC S-I	[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes
PROXY AUDIO	XAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEO	1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)
RAW Output
RAW Output	HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit
Other Video Function
VIDEO FUNCTIONS	Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
Camera Section
SENSOR TYPE	35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Pixels	Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
SENSITIVITY	[Movie] ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)
SHUTTER SPEED	Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb
Slow and Quick Motion
XAVC HS	XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S	XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps , [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I	XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps , [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
White Balance
WHITE-BALANCE MODES	Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom
Gamma
GAMMA CURVE	Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
Latitude
LATITUDE	15+ stop (S-Log3)
Focus System
Type	Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT	[Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)
SENSITIVITY RANGE	EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)
FOCUS MODE	[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
FOCUS AREA	[Movie] Wide / Zone / Centre / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Centre / Flexible Spot / Expanded Flexible Spot / Tracking
OTHER FOCUS FEATURES	Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
Exposure Control
METERING SENSITIVITY	EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
EXPOSURE MODES	[Movie] Programmed AE / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M
Recording (Still image)
RECORDING FORMAT	JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE	Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M
Playback
PLAYBACK FUNCTIONS	Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
Interface
AUDIO INPUT	3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB	USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi/Micro USB (x1)
HEADPHONE OUTPUT	Yes (3.5 mm Stereo minijack)
SPEAKER OUTPUT	Built-in, monaural
HDMI OUTPUT	HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit
MULTI INTERFACE SHOE	With Digital Audio Interface
Bluetooth	Bluetooth Standard Ver. 5.0 (2.4 GHz band)
Monitoring
LCD	7.5 cm (3.0-type) type, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.
Built-in Microphone
BUILT-IN MICROPHONE	Built-in, stereo
Media
MEDIA TYPE	CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
File System
FILE SYSTEM	FAT12, 16, 32, exFAT
Zoom
ZOOM FUNCTION	Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)
Still image function
SHUTTER	Mechanical shutter / Electronic shutter
DRIVE MODES	Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
CONTINUOUS SHOOTING SPEED	Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
NOISE REDUCTION	Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
FLASH CONTROL	Sony System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 s.
OTHER STILL IMAGE FUNCTION	Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot
Image Stabilization
Type	Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
MODE	[Movie] Active / Standard / Off, [Still image] On / Off
COMPENSATION EFFECT (STILL IMAGES)	5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Custom Function
CUSTOM FUNCTION	Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Lens Compensation
LENS COMPENSATION	Peripheral Shading, Chromatic Aberration, Distortion
Wi-Fi/NFC
SUPPORTED FORMAT	IEEE 802.11a/b/g/n/ac
FREQUENCY BAND	2.4 GHz band/5 GHz band
SECURITY	WEP/WPA-PSK/WPA2-PSK
NFC	NFC Forum Type 3 Tag-compliant
FTP Transfer
FTP Transfer	Wired LAN (USB-LAN), USB Tethering, Wi-Fi
Supplied Accessories
SUPPLIED ACCESSORIES	Accessory shoe cap, Accessory shoe kit, Battery Charger BC-QZ1, Body cap, Handle shoe cap, Power cord, Rechargeable Battery NP-FZ100, USB-A to USB-C cable (USB 3.2), XLR handle unit