ILCE6600M in by Sony Canada in Pakenham, ON - Alpha 6600 premium E-mount APS-C camera

Unparalleled AF performance, the key to beautiful shots

Fast and accurate autofocus captures fleeting moments in stunning detail, thanks to a combination of innovative Sony technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02-s speed, while High-density AF Tracking Technology follows even erratically moving subjects. [1] Phase-detection AF coverage (425 points) [2] Contrast-detection AF coverage (425 points)

Real-time Tracking holds the focus on tracked subjects

When you're tracking a fast-moving subject, the camera's motion tracker uses an enhanced subject recognition algorithm (AI) that draws on colour, pattern (brightness), distance (depth) and face/eye information to recognize, and maintain focus on, your subject. (1) Face [AI] (2) Eye [AI] (3) Colour (4) Pattern (5) Distance (6) Subject recognition algorithm

Enhanced Real-time Eye AF supports portrait shooting

Real-time Eye AF detects and automatically focuses on the eyes of your subject when you half-press the shutter, and you can even prioritize your subject's left or right eye. When AF-C is set, it maintains a stable focus even when the face is partially hidden or backlit, or the subject is facing downward.

Real-time Eye AF for animal

The technology used in Real-time Eye AF has been adapted to support animal as well as human. When activated, this provides fast automatic detection and tracking of animals' eyes, with precise focus that had been difficult to achieve otherwise, all to give you great pet portraits and wildlife shots.

High speed continuous shooting with AF/AE tracking

Capture all the action with continuous shooting at up to 11fps . Even when using silent shutter , or the live-view mode, up to 8fps is possible. Display lag has been minimized, and up to 116 JPEG (Standard) images can be shot in each burst, with group display available in the playback mode.

Accurate autofocus in dim lighting

Highly accurate autofocus is possible even in dark settings, thanks to the camera's advanced AF algorithm. High AF sensitivity means reliable AF-S auto-focus all the way down to EV -2 .

Focus Magnifier for finer focus adjustment in both MF/AF modes

When extra-accurate focus is called for, such as when you're taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus using the touchscreen or the focus point selector.

Easy manual focus with a clearly visible peaking function

The camera's peaking function colour-highlights the most sharply focused section of the entire image area when you're using manual focus. Now blue has been added to the display's other peaking colours (red, yellow and white) to improve the visibility of in-focus areas when you're doing the delicate focusing required for macro or portrait shooting.

Built-in 5-axis optical image stabilization

The 5-axis in-body optical image stabilization mechanism used on our acclaimed full-frame cameras has been adapted for use as a stabilization unit for the APS-C sensor on this model. This system compensates for camera shake along five different axes - pitch and yaw, horizontal and vertical, and rotational (roll) - to ensure steadier still images and movies during hand-held shooting. A highly accurate gyro sensor provides an image stabilization effect equivalent to a shutter speed 5 steps faster. The feature allows you to zoom in on far-off subjects, snap detailed close-ups, capture night scenes and more all with minimal blur from camera shake.

An innovative image-processing system

The camera's APS-C size, 24.2-megapixel Exmor™ CMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the latest-generation BIONZ X™ image processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.

Extraordinary image quality, low noise and a wide ISO range

The standard ISO sensitivity range has been extended to ISO 100-32000 (expandable ISO 50-102400 for stills). Improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.

14-bit RAW output with rich tonal gradation

True 14-bit RAW images are delivered via a high-performance LSI and the BIONZ X image processor. To retain the smoothest, most natural tonal gradations, all processing occurs at 16-bit, preventing any dithering or processing errors from being introduced into the final 14-bit RAW image output. [1] Image sensor [2] The latest high-speed front-end LSI [a] 16-bit image processing

4K movie recording in high-bit-rate XAVC S format

Super 35-mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling of around 2.4x the image information needed for 4K (QFHD: 3,840 x 2,160). By downscaling from the equivalent of 6K resolution, captured videos benefit from even more realism and depth. The high-bit-rate (up to 100 Mbps for 4K 30p/24p) XAVC S video codec ensures professional quality images in a consumer-friendly format.

Precise AF tracking with Real-time Eye AF, for better movies

Fast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen. Real-time Eye AF is now also available for movies.

S-Gamut/S-Log shooting

S-Log shooting gives you the flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1,300% larger than Rec. 709) that can help minimize blown highlights and crushed shadows. The S-Log3 gamma setting also provides an impressive 14 stops of dynamic range.

Creative movie-making options

Interval Shooting with a set interval between 1 and 60 seconds can be performed within the camera and used to create a time-lapse movie on a PC. You can also view the images using a simple variable-speed preview function directly on the camera. Slow motion (up to 5x) and quick motion (up to 60x) can also be recorded directly on the camera with no post-processing required . Also, high-quality slow-motion movies can be created in post-production using high-speed Full HD recording at up to 120fps.

External mic and audio input plus headphone jack

External microphones can be attached via the microphone jack, or use line input via XLR connectors with the separately available XLR adaptor kit. This enables connection with various high-end microphones for professional-level audio. In addition, a headphone jack is available so you can monitor the audio on movies as you record them.

High-capacity Z battery for long-duration shooting

To support longer shooting sessions, the 6600 uses the NP-FZ100 high-capacity battery previously introduced with many of our full-frame cameras , while retaining almost the same frontal-view dimensions as previous 6000-series models. Not only does it feature a total capacity around 2.2 times that of our standard battery, it also helps improve the grip ergonomics. The optional Multi Battery Adaptor Kit can accommodate up to four NP-FZ100 batteries for worry-free long-duration movie shooting.

Sturdy, durable construction for robust operation

The camera's low-vibration shutter mechanism is designed and tested to withstand around 200,000 shutter cycles , and the body, top cover, front cover, internal frame, and rear cover use a lightweight but highly rigid magnesium alloy. Major buttons and dials are sealed, and casing components have an interlocked double-layer structure to minimize dust and moisture .

Improved ergonomic grip

The thickness of the grip of the 6600 has been increased by 6.5 mm (compared to the previous model), and the area has been increased by 15%, to make it easier to grasp and hold. The construction material has also been upgraded for a more rigid feel, and the release button attachment angle has been altered for easier operation.

Custom functions for greater operability

Compared to the previous model, the camera has one additional Custom button (C button), bringing the total to four. Now 11 buttons (increased from ten) can be custom-assigned to any of 91 shooting or replay functions. Frequently used functions can also be assigned to the control dial and control wheel with My Dial. My Menu allows flexible assignment of 30 menu items, and the custom settings screen helps keep track of everything. Helpful guides for menu items are also available with a single button press on the menu screen.

Prioritized display of AF area and ISO display limit

On the AF area-setting screen, a new feature enables display of only the focus area types that you use frequently. Another new feature on the ISO setting screen displays only frequently used ISO ranges. This allows for more efficient settings adjustment while shooting. These features can also be used when "Switch Focus Area" is assigned to a Custom button.

Greater control over white balance settings

If set in advance, auto white balance can now be locked or unlocked at any time, for more consistent colour tones when there are multiple light sources. Custom setting of white balance has been simplified, and you can now select an AWB priority setting when shooting with incandescent lighting-either warmer Atmosphere Priority or White Priority for purer whites.

Easier ratings and protection from deletion

In playback mode, still images can be given a rating or protected from deletion. Both these functions can be accessed via pre-assigned custom keys.

1:1 aspect ratio ideal for social-media shots

In addition to 3:2 and 16:9 aspect (width-to-height) ratios, you can also select a 1:1 aspect ratio - ideal for sharing images on social media platforms. This means that you no longer need to hand-trim your images after shooting to prepare to post them on social media.

Smooth display on the OLED viewfinder

The high-contrast, high-resolution XGA OLED Tru-Finder™ provides high visibility, fine details even in dark areas, accurate colours and smooth motion, with display framerate options of either 60fps or 120fps. Standard and High quality settings are available for both the viewfinder and the LCD monitor.

180°-tiltable LCD screen with versatile touch functions

The high-resolution, 921k-dot LCD has a 3.0-type screen and tilts up a full 180° and down by 74°, for easy framing of selfie shots and vlogs. The LCD's intuitive touch operations include Touch Pad (to smoothly move the focus point), Touch Focus (to set the focus point), Touch Shutter (to release the shutter), and Touch Tracking (to activate Real-Time AF).

One-touch remote, One-touch sharing, Location Information Link

The One-touch remote feature turns your mobile device into a viewfinder and remote control. One-touch sharing allows photos and videos to be transferred to your device for social media sharing. The camera can also use your mobile phone's location data via Bluetooth® to geo-tag your images . (These mobile device features are available via Sony's Imaging Edge Mobile app .)

Imaging Edge desktop applications

Elevate your photography with the Imaging Edge™ desktop applications . Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently .

Works with iMovie and Final Cut Pro X

This product is compatible with Final Cut Pro X and iMovie.

Unparalleled AF performance, the key to beautiful shots Fast and accurate autofocus captures fleeting moments in stunning detail, thanks to a combination of innovative Sony technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02-s speed, while High-density AF Tracking Technology follows even erratically moving subjects. [1] Phase-detection AF coverage (425 points) [2] Contrast-detection AF coverage (425 points)

Real-time Tracking holds the focus on tracked subjects When you're tracking a fast-moving subject, the camera's motion tracker uses an enhanced subject recognition algorithm (AI) that draws on colour, pattern (brightness), distance (depth) and face/eye information to recognize, and maintain focus on, your subject. (1) Face [AI] (2) Eye [AI] (3) Colour (4) Pattern (5) Distance (6) Subject recognition algorithm

Enhanced Real-time Eye AF supports portrait shooting Real-time Eye AF detects and automatically focuses on the eyes of your subject when you half-press the shutter, and you can even prioritize your subject's left or right eye. When AF-C is set, it maintains a stable focus even when the face is partially hidden or backlit, or the subject is facing downward.

Real-time Eye AF for animal The technology used in Real-time Eye AF has been adapted to support animal as well as human. When activated, this provides fast automatic detection and tracking of animals eyes, with precise focus that had been difficult to achieve otherwise, all to give you great pet portraits and wildlife shots.

High speed continuous shooting with AF/AE tracking Capture all the action with continuous shooting at up to 11fps. Even when using silent shutter, or the live-view mode, up to 8fps is possible. Display lag has been minimized, and up to 116 JPEG (Standard) images can be shot in each burst, with group display available in the playback mode.

Accurate autofocus in dim lighting Highly accurate autofocus is possible even in dark settings, thanks to the camera's advanced AF algorithm. High AF sensitivity means reliable AF-S auto-focus all the way down to EV -2.

Focus Magnifier for finer focus adjustment in both MF/AF modes When extra-accurate focus is called for, such as when you're taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus using the touchscreen or the focus point selector.

Easy manual focus with a clearly visible peaking function The camera's peaking function colour-highlights the most sharply focused section of the entire image area when you're using manual focus. Now blue has been added to the display's other peaking colours (red, yellow and white) to improve the visibility of in-focus areas when you're doing the delicate focusing required for macro or portrait shooting.

Built-in 5-axis optical image stabilization The 5-axis in-body optical image stabilization mechanism used on our acclaimed full-frame cameras has been adapted for use as a stabilization unit for the APS-C sensor on this model. This system compensates for camera shake along five different axes pitch and yaw, horizontal and vertical, and rotational (roll) to ensure steadier still images and movies during hand-held shooting. A highly accurate gyro sensor provides an image stabilization effect equivalent to a shutter speed 5 steps faster. The feature allows you to zoom in on far-off subjects, snap detailed close-ups, capture night scenes and more all with minimal blur from camera shake.

An innovative image-processing system The camera's APS-C size, 24.2-megapixel Exmor CMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the latest-generation BIONZ X image processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.

Extraordinary image quality, low noise and a wide ISO range The standard ISO sensitivity range has been extended to ISO 100 32000 (expandable ISO 50 102400 for stills). Improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.

14-bit RAW output with rich tonal gradation True 14-bit RAW images are delivered via a high-performance LSI and the BIONZ X image processor. To retain the smoothest, most natural tonal gradations, all processing occurs at 16-bit, preventing any dithering or processing errors from being introduced into the final 14-bit RAW image output. [1] Image sensor [2] The latest high-speed front-end LSI [a] 16-bit image processing

4K movie recording in high-bit-rate XAVC S format Super 35-mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling of around 2.4x the image information needed for 4K (QFHD: 3,840 x 2,160). By downscaling from the equivalent of 6K resolution, captured videos benefit from even more realism and depth. The high-bit-rate (up to 100 Mbps for 4K 30p/24p) XAVC S video codec ensures professional quality images in a consumer-friendly format.

Precise AF tracking with Real-time Eye AF, for better movies Fast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen. Real-time Eye AF is now also available for movies.

S-Gamut/S-Log shooting S-Log shooting gives you the flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1,300% larger than Rec. 709) that can help minimize blown highlights and crushed shadows. The S-Log3 gamma setting also provides an impressive 14 stops of dynamic range.

Creative movie-making options Interval Shooting with a set interval between 1 and 60 seconds can be performed within the camera and used to create a time-lapse movie on a PC. You can also view the images using a simple variable-speed preview function directly on the camera. Slow motion (up to 5x) and quick motion (up to 60x) can also be recorded directly on the camera with no post-processing required. Also, high-quality slow-motion movies can be created in post-production using high-speed Full HD recording at up to 120fps.

External mic and audio input plus headphone jack External microphones can be attached via the microphone jack, or use line input via XLR connectors with the separately available XLR adaptor kit. This enables connection with various high-end microphones for professional-level audio. In addition, a headphone jack is available so you can monitor the audio on movies as you record them.

Sophisticated features for easier movie-making The 6600 is ready for professional videography workflows, with clean HDMI output and REC Control, timecode (TC/UB), variable framerates and proxy recording. In addition, a range of functions are included to enhance movie recording accuracy, such as the display of overlay markers or gridlines, zebra exposure metering, or ISO values when shooting with ISO Auto.

High-capacity Z battery for long-duration shooting To support longer shooting sessions, the 6600 uses the NP-FZ100 high-capacity battery previously introduced with many of our full-frame cameras, while retaining almost the same frontal-view dimensions as previous 6000-series models. Not only does it feature a total capacity around 2.2 times that of our standard battery, it also helps improve the grip ergonomics. The optional Multi Battery Adaptor Kit can accommodate up to four NP-FZ100 batteries for worry-free long-duration movie shooting.

Sturdy, durable construction for robust operation The camera's low-vibration shutter mechanism is designed and tested to withstand around 200,000 shutter cycles, and the body, top cover, front cover, internal frame, and rear cover use a lightweight but highly rigid magnesium alloy. Major buttons and dials are sealed, and casing components have an interlocked double-layer structure to minimize dust and moisture.

Improved ergonomic grip The thickness of the grip of the 6600 has been increased by 6.5 mm (compared to the previous model), and the area has been increased by 15%, to make it easier to grasp and hold. The construction material has also been upgraded for a more rigid feel, and the release button attachment angle has been altered for easier operation.

Custom functions for greater operability Compared to the previous model, the camera has one additional Custom button (C button), bringing the total to four. Now 11 buttons (increased from ten) can be custom-assigned to any of 91 shooting or replay functions. Frequently used functions can also be assigned to the control dial and control wheel with My Dial. My Menu allows flexible assignment of 30 menu items, and the custom settings screen helps keep track of everything. Helpful guides for menu items are also available with a single button press on the menu screen.

Prioritized display of AF area and ISO display limit On the AF area-setting screen, a new feature enables display of only the focus area types that you use frequently. Another new feature on the ISO setting screen displays only frequently used ISO ranges. This allows for more efficient settings adjustment while shooting. These features can also be used when "Switch Focus Area" is assigned to a Custom button.

Greater control over white balance settings If set in advance, auto white balance can now be locked or unlocked at any time, for more consistent colour tones when there are multiple light sources. Custom setting of white balance has been simplified, and you can now select an AWB priority setting when shooting with incandescent lighting either warmer Atmosphere Priority or White Priority for purer whites.

Easier ratings and protection from deletion In playback mode, still images can be given a rating or protected from deletion. Both these functions can be accessed via pre-assigned custom keys.

Versatile flash functions When shooting with compatible wireless flash units, rear-curtain sync and slow sync can be selected, increasing your creative options for lighting.

1:1 aspect ratio ideal for social-media shots In addition to 3:2 and 16:9 aspect (width-to-height) ratios, you can also select a 1:1 aspect ratio ideal for sharing images on social media platforms. This means that you no longer need to hand-trim your images after shooting to prepare to post them on social media.

Smooth display on the OLED viewfinder The high-contrast, high-resolution XGA OLED Tru-Finder provides high visibility, fine details even in dark areas, accurate colours and smooth motion, with display framerate options of either 60fps or 120fps. Standard and High quality settings are available for both the viewfinder and the LCD monitor.

180 -tiltable LCD screen with versatile touch functions The high-resolution, 921k-dot LCD has a 3.0-type screen and tilts up a full 180 and down by 74 , for easy framing of selfie shots and vlogs. The LCD's intuitive touch operations include Touch Pad (to smoothly move the focus point), Touch Focus (to set the focus point), Touch Shutter (to release the shutter), and Touch Tracking (to activate Real-Time AF).

One-touch remote, One-touch sharing, Location Information Link The One-touch remote feature turns your mobile device into a viewfinder and remote control. One-touch sharing allows photos and videos to be transferred to your device for social media sharing. The camera can also use your mobile phone's location data via Bluetooth to geo-tag your images. (These mobile device features are available via Sony's Imaging Edge Mobile app.)

Imaging Edge desktop applications Elevate your photography with the Imaging Edge desktop applications. Use Remote to control and monitor shooting live on your PC screen; Viewer to quickly preview, rate and select photos from large image libraries; and Edit to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

Works with iMovie and Final Cut Pro X This product is compatible with Final Cut Pro X and iMovie.

Features

Fast 0.02-s AF, with 425 phase-detection AF points
Real-time Tracking and Real-time Eye AF, to detect and hold onto moving subjects
5-axis optical image stabilization for rock-solid shooting
24.2-megapixel APS-C Exmor™ CMOS image sensor
High-resolution 4K HDR (HLG) movie recording , with diverse movie features
Unparalleled AF performance, the key to beautiful shots
Real-time Tracking holds the focus on tracked subjects
Enhanced Real-time Eye AF supports portrait shooting
Real-time Eye AF for animal
High speed continuous shooting with AF/AE tracking
Accurate autofocus in dim lighting
Focus Magnifier for finer focus adjustment in both MF/AF modes
Easy manual focus with a clearly visible peaking function
Built-in 5-axis optical image stabilization
An innovative image-processing system
Extraordinary image quality, low noise and a wide ISO range
14-bit RAW output with rich tonal gradation
4K movie recording in high-bit-rate XAVC S format
Precise AF tracking with Real-time Eye AF, for better movies
S-Gamut/S-Log shooting
Creative movie-making options
External mic and audio input plus headphone jack
Sophisticated features for easier movie-making
High-capacity Z battery for long-duration shooting
Sturdy, durable construction for robust operation
Improved ergonomic grip
Custom functions for greater operability

What's In The Box	•AC Adaptor: AC-UUD12 •Accessory shoe cap •Body cap •Eyepiece cup •Lens cap •Lens hood •Lens rear cap •Micro USB cable •Rechargeable Battery: NP-FZ100 •SEL18135 •Shoulder strap
Lens Compatibility	•Sony E-mount lenses
Lens Mount	•E-mount
Aspect Ratio	•3:2
Number Of Pixels (Effective)	•Approx. 24.2 megapixels
Number of Pixels (total)	•Approx. 25.0 megapixels
Sensor Type	•APS-C type (23.5 x 15.6 mm), Exmor® CMOS sensor
Anti-Dust System	•Charge protection coating on optical filter and image sensor shift mechanism
Recording Format	•JPEG (DCF Ver. 2.0, Exif Ver.2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format)
Image Size (pixels) [3:2]	•L: 6000 x 4000 (24M), M: 4240 x 2832 (12M), S: 3008 x 2000 (6.0M)
Image Size (pixels) [16:9]	•L: 6000 x 3376 (20M), M: 4240 x 2400 (10M), S: 3008 x 1688 (5.1M)
IMAGE SIZE (PIXELS) [1:1]	•L: 4000 x 4000 (16M), M: 2832 x 2832 (8.0M), S: 2000 x 2000 (4.0M)
Image Size (pixels) [Sweep Panorama]	•-
Image Quality Modes	•RAW, RAW & JPEG (Extra fine, Fine, Standard), JPEG (Extra fine, Fine, Standard)
Picture Effect	•8 types: Posterization (Colour), Posterization (B/W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key, Rich-tone Monochrome
Creative Style	•Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Picture Profile	•Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
Dynamic Range Functions	•Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step))
Colour Space	•sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Colour
14bit RAW	•Yes
Uncompressed RAW	•-
Recording Format	•XAVC S, AVCHD format Ver. 2.0 compliant
Video Compression	•XAVC S: MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264
Audio Recording Format	•XAVC S: LPCM 2ch, AVCHD: Dolby® Digital (AC-3) 2ch, Dolby® Digital Stereo Creator
Colour Space	•xvYCC standard (x.v.Colour when connected via HDMI cable) compatible with TRILUMINOS Colour
Picture Effect	•Posterization (Colour), Posterization (B/W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key
Creative Style	•Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black and White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Picture Profile	•Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
Image Size (pixels), NTSC	•XAVC S 4K: 3840 x 2160 (30p, 100M), 3840 x 2160 (24p, 100M), 3840 x 2160 (30p, 60M), 3840 x 2160 (24p, 60M), XAVC S HD: 1920 x 1080 (120p, 100 M), 1920 x 1080 (120p, 60 M), 1920 x 1080 (60p, 50 M), 1920 x 1080 (30p, 50 M), 1920 x 1080 (24p, 50 M), 1920 x 1080 (60p, 25 M), 1920 x 1080 (30p, 16 M), AVCHD: 1920 x 1080 (60i, 24 M, FX), 1920 x 1080 (60i, 17 M, FH)
Image Size (pixels), PAL	•XAVC S 4K: 3840 x 2160 (25p, 100M), 3840 x 2160 (25p, 60M), XAVC S HD: 1920 x 1080 (100p, 100M), 1920 x 1080 (100p, 60M), 1920 x 1080 (50p, 50M), 1920 x 1080 (25p, 50M), 1920 x 1080 (50p, 25M), 1920 x 1080 (25p, 16M), AVCHD: 1920 x 1080 (50i, 24M, FX), 1920 x 1080 (50i, 17M, FH)
Slow and quick motion (shooting frame rate)	•NTSC mode: 1fps, 2fps, 4fps, 8fps ,15fps, 30fps, 60fps, 120fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
Slow and quick motion (recording frame rate and image size)	•NTSC mode: 1920 x 1080 (60p, 30p, 24p), PAL mode: 1920 x 1080 (50p, 25p)
Movie Functions	•Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (Approx. 9 Mbps)), TC/UB (TC Preset/UB Preset/TC Format/TC Run/TC Make/UB Time Rec), Auto Slow Shutter, REC Control, Clean HDMI Info. (ON/OFF selectable), Gamma Disp. Assist
HDMI Output	•3840 x 2160 (30p), 3840 x 2160 (25p), 3840 x 2160 (24p), 1920 x 1080 (60p), 1920 x 1080 (60i), 1920 x 1080 (50p), 1920 x 1080 (50i), 1920 x 1080 (24p), YCbCr 4:2:2 8bit / RGB 8bit
Location information Link from smartphone	•Yes
Media	•Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card
Memory Card Slot	•Multi slot for Memory Stick™ Duo/SD memory card
Noise Reduction	•Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off
Multi Frame NR	•Auto/ISO 100 to 102400
White Balance Modes	•Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash /Underwater/ Colour Temperature (2500 to 9900K) and colour filter (G7 to M7 (57-step), A7 to B7 (29-step)) / Custom
AWB Micro Adjustment	•Yes (G7 to M7, 57-step) (A7 to B7, 29-step)
Priority Set in AWB	•Yes
SHUTTER AWB LOCK	•Yes (Shut. Halfway Down/Cont. Shooting/Off)
Bracketing	•3 frames, H/L selectable
Focus Type	•Fast Hybrid AF (phase-detection AF/contrast-detection AF)
Focus Sensor	•Exmor CMOS sensor
Focus Point	•425 points (phase-detection AF)/425 points (contrast-detection AF)
Focus Sensitivity Range	•EV-2 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Mode	•AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area	•Wide (425 points (phase-detection AF), 425 points (contrast-detection AF))/Zone/Centre/Flexible Spot (S/M/L)/Expanded Flexible Spot/Tracking (Wide/Zone/Centre/Flexible Spot (S/M/L)/Expanded Flexible Spot)
Other Features	•Eye-start AF (only with LA-EA2 or LA-EA4 attached (Sold separately)), Object Tracking, Eye AF (Still images): Human (Right/Left Eye Select)/Animal, Eye AF (Movie): Human (Right/Left Eye Select), AF micro adjustment (Sold separately), with LA-EA2 or LA-EA4, Predictive control, Focus lock, Swt.V/H AF Area, AF Area Regist., Circ. of Focus Point
AF Illuminator	•Yes (with Built-in LED type)
AF Illuminator Range	•Approx. 0.3 - approx. 3.0m (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
Focus type with LA-EA3 (Sold separately)	•phase-detection
Metering Type	•1200-zone evaluative metering
Metering Sensor	•Exmor CMOS sensor
Metering Sensitivity	•EV-2 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Metering Mode	•Multi-segment, Centre-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight
Exposure Compensation	•+/- 5.0EV (1/3 EV, 1/2 EV steps selectable)
Exposure Bracketing	•Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, or 1.0 EV increments.
AE Lock	•Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Exposure Modes	•AUTO (iAuto), Programmed AE , Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ), Slow & Quick Motion (Programmed AE / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ), Scene Selection
ISO Sensitivity (Recommended Exposure Index)	•Still images: ISO 100-32000 ((ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-6400, selectable lower limit and upper limit) Movies: ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit)
Scene Selection	•Portrait, Sports Action, Macro, Landscape, Sunset, Night Scene, Hand-held Twilight, Night Portrait, Anti Motion Blur
Viewfinder Type	•1.0 cm (0.39 type) electronic viewfinder (colour)
Number of Dots	•2,359,296 dots
Brightness Control (Viewfinder)	•Auto/Manual (5 steps between -2 and +2)
Colour Temperature Control	•Manual (5 steps)
Field Coverage	•100%
Magnification	•Approx. 1.07x (35mm camera equivalent: Approx. 0.70x) with 50mm lens at infinity, -1m -1
Dioptre Adjustment	•-4.0 - +3.0 m -1
Eye Point	•Approx. 23 mm from the eyepiece lens, 21.4 mm from the eyepiece frame at -1 m -1 (CIPA standard)
Finder Frame Rate Selection	•NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
Display Contents	•Graphic Display, Display All Info., No Disp. Info., Digital Level Gauge, Histogram
Monitor Type	•7.5cm (3.0-type) wide type TFT
Number of Dots	•921,600 dots
Touch Panel	•Yes
Brightness Control	•Manual (5 steps between -2 and +2), Sunny Weather mode
Adjustable Angle	•Up by approx. 180 degrees, Down by approx. 74 degrees
Real-time Image Adjustment Display (LCD)	•On/Off
Quick Navi	•Yes
Focus Magnifier	•Yes Focus Magnifier (5.9x, 11.7x)
Zebra	•Yes (selectable level + range or lower limit as custom setting)
Peaking MF	•Yes (Level setting: High/Mid/Low/Off, Colour: Red/Yellow/Blue/White)
Others	•WhiteMagic, Grid Line, (Rule of 3rds Grid/Square Grid/Diag. + Square Grid/Off), Movie Marker, (Centre/Aspect/Safety Zone/Guideframe)
Display Content	•Graphic Display, Display All Info, No Disp. Info, Digital Level Gauge, Histogram, For viewfinder, Monitor Off
PlayMemories Camera Apps™	•-
Clear Image Zoom	•Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
Digital Zoom	•Smart zoom (Still images): M: Approx. 1.4x, S: Approx. 2x, Digital zoom (Still images): L: Approx. 4x, M: Approx. 5.7x, S: Approx. 8x, Digital zoom (Movie): Approx. 4x
Face Detection	•Modes: Face Priority in AF (On/Off), Face Priority in Multi Metering (On/Off), Regist. Faces Priority (On/Off), Face registration, Max. number of detectable: 8 faces
Self-Portrait Self-Timer	•Yes
Others	•Interval Recording (1-60-s interval, 1-9,999 shots, AE lock/AE tracking (High/Mid/Low)), Touch Shutter, Touch Focus: Yes (Touch Focus/Touch Pad/Touch Tracking), ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Help guide, Area Setting, Shop Front Mode, Zoom Ring Rotate
Type	•Electronically-controlled, vertical-traverse, focal-plane type
Shutter Speed	•Still images: 1/4,000 to 30 seconds, Bulb, Movies: 1/4000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
Flash Sync. Speed	•1/160 s
Electronic Front Curtain Shutter	•Yes (ON/OFF)
Silent Shooting	•Yes (ON/OFF)
Type	•Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation Effect	•5.0 steps (based on CIPA standard. Pitch/yaw shake only. With Sonnar T* FE 55 mm F1.8 ZA lens mounted. Long exposure NR off.)
Type	•-
Guide No.	•-
Flash coverage	•-
Control	•Pre-flash TTL
Flash Compensation	•+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Flash Bracketing	•3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments.
Flash Modes	•Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless control , Hi-speed sync
Recycling Time	•-
External Flash Compatibility	•Sony System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
FE Level Lock	•Yes
Wireless Control	•Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. /Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Drive Modes	•Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Continuous Drive Speed (approx. max.)	•Continuous shooting: Hi+: 11 fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
No. of recordable frames (approx.)	•JPEG Extra fine L: 99 frames, JPEG Fine L: 115 frames, JPEG Standard L: 116 frames, RAW: 46 frames, RAW and JPG: 44 frames
Self-Timer	•10 s delay/5 s delay/2 s delay/Continuous self-timer (3 frames after 10 s delay/5 frames after 10 s delay/3 frames after 5 s delay/5 frames after 5 s delay/3 frames after 2 s delay/5 frames after 2 s delay)/Bracketing self-timer (Off/2 s delay/5 s delay/10 s delay)
Pixel Shift Multi Shooting	•-
Photo Capture	•Yes
Modes	•Single (with or without shooting information Y RGB histogram and highlight/shadow warning), 12/30-frame index view, Enlarged display mode (L: 16.7x, M: 11.8x, S: 8.3x), Auto Review (10/5/2 sec, Off), Image orientation (Auto/Manual/Off selectable), Slideshow, Folder selection (Date/ Still/ AVCHD/XAVC S HD/XAVC S 4K), Forward/Rewind (movie), Delete, Protect, Rating, Display as group
PC Interface	•Mass-storage, MTP, PC remote
Multi/Micro USB Terminal	•Yes
NFC™	•Yes (NFC forum Type 3 Tag compatible), One-touch remote, One-touch sharing
Wireless LAN (Built-In)	•Yes (Wi-Fi Compatible, IEEE 802.11b/g/n (2.4 GHz band)) , View on Smartphone, Remote control via Smartphone, Send to Computer, View on TV
Bluetooth	•Yes (Bluetooth® Standard Ver. 4.1 (2.4 GHz band))
HD Output	•HDMI micro connector (Type-D), BRAVIA® Sync (Control for HDMI), PhotoTV HD, 4K movie output/4K still image PB
Multi Interface Shoe	•Yes
Mic Terminal	•Yes (3.5 mm Stereo minijack)
DC IN Terminal	•-
Sync Terminal	•-
Remote Control (Wireless)	•Yes (IR remote control/Bluetooth remote control)
Headphone Terminal	•Yes
Vertical Grip Connector	•-
PC Remote	•Yes
Microphone	•Built-in, stereo
Speaker	•Built-in, monaural
Compatible Standards	•Exif Print, Print Image Matching III, DPOF setting
Type	•Custom key settings, Programmable Setting (Body 2 sets /memory card 4 sets), My Menu, My Dial Settings, Reg Cust Shoot Set
Setting	•Peripheral Shading, Chromatic Aberration, Distortion
Supplied Battery	•One rechargeable battery pack NP-FZ100
Battery Life (Still Images)	•Approx. 720 shots (Viewfinder) / Approx. 810 shots (LCD monitor) (CIPA standard)
Battery Life (Movie, actual recording)	•Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)
Battery Life (Movie, continuous recording)	•Approx. 250 min (Viewfinder) / Approx. 250 min (LCD monitor) (CIPA standard)
Internal Battery Charge	•Yes
External Power	•-
Power consumption with Viewfinder	•Still images: approx. 2.7 W (with E 18-135-mm F3.5-5.6 OSS lens attached), Movies: approx. 3.9 W (with E 18-135-mm F3.5-5.6 OSS lens attached)
Power consumption with LCD screen	•Still images: approx. 2.4 W (with E 18-135-mm F3.5-5.6 OSS lens attached), Movies: approx. 3.9 W (with E 18-135-mm F3.5-5.6 OSS lens attached)
USB Power Supply	•Yes
Operating Temperature	•32-104 degrees F / 0-40 degrees C
Weight (with battery and memory card included)	•Approx. 503 g, Approx. 1lb 1.8 oz
Dimensions (W x H x D)	•Approx. 120.0 mm x 66.9 mm x 69.3 mm, Approx. 120.0 mm x 66.9 mm x 59.0 mm (from grip to monitor) / Approx. 4-3/4 x 2-3/4 x 2-3/4, Approx. 4-3/4 x 2-3/4 x 2-3/8 inches (from grip to monitor)